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TIME: Almanac 1990
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1990 Time Magazine Compact Almanac, The (1991)(Time).iso
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121189
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12118900.066
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1990-09-22
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BOOKS, Page 100Of Cats, Myths and PizzaVivid volumes celebrate children's imaginationBy Stefan Kanfer
Susan Sontag once defined books as "funny little portable
pieces of thought." It is an apt description of this year's
outstanding works for children. All twelve selected are thoughtful,
small and funny in both senses of the word: odd and risible.
One winter morning, Will's mother and father inform him that
his favorite fauna, the woolly mammoth, is extinct. But the boy
knows better. Squinting his eyes, he manages to conjure up the
prehistoric past, complete with saber-toothed tigers, early
versions of horses, warthogs and, of course, the elephant's tusky
ancestor. In Will's Mammoth (Putnam; $14.95), Stephen Gammell
augments Rafe Martin's whimsical text with celebrations of early
mammals, snow and that greatest of all time machines, a child's
imagination.
Behemoths are not an exclusive of the dinosaur era. Some of
them can still be spotted spouting in the oceans of the world.
Seymour Simon's nonfiction Whales (Crowell; $14.95) follows their
astonishing life cycle as the babies drink 100 gal. of milk a day,
breathe through a hole in the top of their heads, learn to dive a
mile deep, and eventually become so immense that their tongues can
weigh as much as a full-grown elephant. The leviathans seem
fantastic, but 20 detailed photographs of the endangered species
show that big is beautiful -- and actual.
Scaly, furry and feathered creatures speak for themselves in
Turtle in July (Macmillan; $13.95). Marilyn Singer's liberated
verses suggest bodily rhythms (Deer Mouse: "get enough to last/ get
enough to store/ get more"; Beavers: "You guard/ I pack/ I dig/ You
stack"; Dragonfly: "Look/ skim/ there/ snap/ eat/ Repeat").
Meanwhile, Jerry Pinkney's watercolors furnish the shades and tints
of four seasons and 15 highly articulate animals.
By contrast, The Heartaches of a French Cat (Godine; $14.95)
features a mute cast of felines. Author and illustrator Barbara
McClintock places her 19th century tale onstage, where everything
is expressed through the dramatic pose and the pregnant paws.
Minette is pursued by the rakish Count Bisquet and the worthy
Lionel. In the end she spurns them both to write her scandalous
memoir, which becomes an overnight success. If there is any
justice, so will this comic biography.
Nancy Ekholm Burkert's luminous accompaniments to the stories
of Hans Christian Andersen and Edward Lear are classics of the
genre. The French legend of Valentine & Orson (Farrar, Straus &
Giroux; $16.95) further enhances her reputation. Twins are
separated at birth; one is raised by a king in a court, the other
by a bear in a forest. The boys meet as antagonists, but after a
series of picaresque adventures, become reunited and rewarded. This
too is staged as a drama, enacted by rhyming players who evoke the
best of Ingmar Bergman, Walt Disney and the artist-adapter herself.
An older story enlivens Theseus and the Minotaur (McElderry
Books; $13.95). In Crete, seven men and seven maidens were
regularly sacrificed to a monster who was half man, half bull.
Young Theseus refused to go along with tradition and tracked the
dreaded Minotaur to the center of his labyrinth, with results that
have been chronicled for two millenniums. In this latest retelling,
Warwick Hutton finds a dual use for his pen: to provide a lucid
translation, and to produce a series of colorful and poignant
sketches. They underline Joseph Campbell's characterization of the
Greek myth as a fusion of "innocence and majesty."
Not all myths are ancient. Only a few decades ago, Mrs.
Pelligrino left Italy to visit friends in New York City. There she
plunged into depression. No one had heard of her favorite food, a
dish made of dough, tomatoes, cheese, garlic and pepper. In an
attempt to please her, some sympathetic children gathered the
ingredients, lighted the oven . . . and that was How Pizza Came to
Queens (Potter; $13.95). Dayal Kaur Khalsa serves a slice of
history with exactly the right blend of drawings, text, spice and
whimsy.
Food is also the centerpiece of Olson's Meat Pies (R&S;
$12.95). A bookkeeper absconds with a baker's savings. In order to
stay in business, the impoverished Olson compromises his product.
First he includes an assortment of leftovers, then pieces of
laundry and, finally, a series of outlandish premiums. Disaster
beckons until the bookkeeper contritely reappears, loot in hand.
Good taste returns, and so do the customers. But everyone remains
nostalgic for the exotic days when watches and earrings and little
windup monkeys appeared in the pies. This is the child's version
of a screwball comedy, with script by Peter Cohen and special
effects by Olof Landstrom.
Because of a typographical error, says Jack Prelutsky, the
Poems of A. Nonny Mouse (Knopf; $12.95) have been mistakenly
attributed to "Anonymous." To correct this misfortune, he
anthologizes some 70 of her immortal rhymes, including "Algy met
a bear,/ A bear met Algy,/ The bear was bulgy,/ The bulge was
Algy"; "Way down South,/ Where bananas grow,/ A grasshopper stepped
on an elephant's toe./ The elephant said with tears in his eyes,/
`Pick on somebody your own size'"; and "The firefly is a funny
bug,/ He hasn't any mind./ He blunders all the way through life/
With his headlight on behind." Henrik Drescher's loony drawings
validate Prelutsky's conclusion: Ms. "Mouse was . . . more clever
than one might expect from a creature with no chin, sparse fur, and
a long thin tail."
"Ladybugs strut and toads sashay,/ moths and mantises wing
their way,/ snap-turtles swing and grasshoppers sway." The
Bug-a-Wug Cricket Band is in town, and the six-legged sidemen are
setting the summer night afire, particularly banjoist Nicholas
Cricket (Harper & Row; $12.89). Joyce Maxner's lilting text is full
of mood music, and William Joyce amplifies it with paintings that
seem to vibrate with the irresistible beat of bluegrass.
The unanswerable questions of children are treated with dignity
and humor in Does God Have a Big Toe? (Harper & Row; $14.95). Marc
Gellman, a rabbi, patiently retells Bible stories from a youthful
view: Noah said to his friend, "You know, Jabal, this might be a
very good time for you to take those swimming lessons you have been
talking about for so long." Adam and his wife, Moses and his
tablets, Joseph and his coat -- all are here with their moral
testaments, made even easier to apprehend with Oscar de Mejo's
eloquent landscapes of Eden and afterward.
In this abbreviated version, A Christmas Carol (Viking Penguin;
$14.95) is presented as "A Changing Picture and Lift-the-Flap
Book." Thanks to Kareen Taylerson's ingenious designs, young
readers can move a lever and create a banquet, make Jacob Marley
materialize out of the air and, finally, reprieve Ebenezer Scrooge.
But Charles Dickens' famous ending is unillustrated -- and rightly
so. Its wish is worth a thousand pictures: "It was always said of
him, that he knew how to keep Christmas well. May that be said of
all of us!"